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| Grayson Perry - BIRTH MOTHER © Richard Ansett 2018 |
It might feel comfortable and safe to sit within the confines of a clearly defined existence and judge others but it is not secure ground. Certainly the previously dominant structures that set out our world are now seen increasingly as merely other ways of living and in a free society even bigots are welcome as we recognise the pathetic hubris of their superiority.
The complications of accepting personal responsibility for our lives and the accompanying existential loneliness are prices we pay to break free of oppressive forms of traditional identity. We increasingly exist in parallel to the passive aggressive bully that is the stereotype and 'minority' is an increasingly archaic term.
'Queer' has evolved from the reclamation of an abuse to become an inclusive definition that allows us all to share in the complex relationship to what has been identified as the 'heteronormative state.'
The heteronormative state should be defined as the oppressor not just of those broadly defined by sexuality. It is the fabric within which we all function evolved over centuries, the historic legacy is stitched into the foundations and structures that frame our lives. It cannot be torn down so easily like a statue but we can scratch and nudge at it with tools like the zeitgeist.
The heteronormative state should be defined as the oppressor not just of those broadly defined by sexuality. It is the fabric within which we all function evolved over centuries, the historic legacy is stitched into the foundations and structures that frame our lives. It cannot be torn down so easily like a statue but we can scratch and nudge at it with tools like the zeitgeist.
In my latest collaboration with Grayson Perry the focus is on the tireless motif of mother and child for the 21st century. Claire is not a natural mother, it is a trans- immaculate conception.
A very limited edition giclée available through SINGULART
A very limited edition giclée available through SINGULART
