Tuesday, 11 November 2014

Impermeables

On Thursday 13 November to 20 P H others expect to each and everyone in the art gallery Serendipia on street of Infante 3 in the neighborhood of the letters in the heart of Madrid for the opening of ' impermeables '.

An exhibition of collective comisariada by Abell azcona that counts with the artists of the fourteen countries are different. A vision, in relation to The inability to feel. Love, Sexuality, fear, abandonment, abuse, child or happiness. Memories and experiences in skin that make raincoat it itself and to the very otherness.

Artists of Guatemala, the United States, China, Russia, Hungary, the United Kingdom, Slovakia, Spain, Holland, Israel, Germany, Italy, Colombia and Panama gathered around the impermeabilidad, The PsycHopathy, fear and the inaccesibilidad show us a means of the Photograph, performance art, the installation and videoarte his vision inviting the audience to penetrate the staff and what is prohibited.

Showing an image from the FAT series (below).
Image_EPV00116, Woman with Sofa and House Plant, from series FAT
© Richard Ansett 2014

Thursday, 6 November 2014

Pareidolia


noun/
The imagined perception of a pattern or meaning where it does not actually exist, as in considering the moon to have human features or Jesus in a potato chip.

My new piece, a 1.6 meter blown up section taken from the series 'Doll’s House' will be exhibited with the original image_4605 (see below) and presented with a free limited edition postcard at the Uncertain States exhibition at The Bank Gallery.

“This is not an arsehole. It is a photographic facsimile, of a rubber facsimile, of an arsehole.”

More work in progress images and statement here: Richard Ansett Editions

It should be a great night celebrating UCS's 5 years of supporting and collaborating with some very interesting artists, many of whom will be there. Photography is unique as an art form; exhibitions almost invariably are FREE. Free exhibit, free wine and meet the artists?! Why would you not come!

ALL WELCOME. NO PREJUDICE.

Private View: Thursday 13th November 6:30 – 9:00pm

The Bank Gallery, Central House, 59-63 Whitechapel High Street, London, E1 7PF

RSVP to: mary_george@icloud.com

Image_4605, from series Doll's House © Richard Ansett 2013
Viewing vinyl test © Tim Bennett 2014

Wednesday, 22 October 2014

Reflected Glory

Meet art handlers Matt, Neil and Danny from the National Portrait Gallery, they're installing the portrait of Grayson Perry, Starr Auditorium, Tate Modern' acquired for the permanent collection.

It is the only photograph in Room 32 Contemporary Portraits, otherwise entirely devoted to paintings by Lucian Freud, Andy Warhol, Howard Hodgkin, R.B.Kitaj and many more.

Grayson Perry installation, National Portrait Gallery © NPG 2014


Grayson Perry installation, National Portrait Gallery © NPG 2014


Grayson Perry installation, National Portrait Gallery © NPG 2014


Grayson Perry, Room 32,  National Portrait Gallery, London © Richard Ansett 2014

Ladies First

This is the third time I have worked with Grayson Perry (or fourth if you count him in a hard hat, which was not overly flattering; we don't talk about that).

We set up a studio in his studio to shoot an enormous amount of material for CH4's new documentary 'Who are You? in conjunction with Perry's new display at the National Portrait Gallery (private view tonight, hot ticket!)

Perry's studio is deliberately devoid of artworks; he explained that he was easily influenced in the moment of creation so kept the space very clear, except one image of him as 'Claire' taken at the BAFTAs. Most of the images of him as Claire are bombastic and playful but this is serene and she looks rather pretty. I asked him about it and he said 'it was important to feel beautiful'. I am uncertain if I was the right person to make that dream come true for him! ;)

Our portrait was recently pushed off the cover of the Radio Times by the upstart Sir David Attenborough; I never really liked him.

My first image of him at the Reith lectures in 2013 shot for the BBC, has recently been hung in the National Portrait Gallery, Contemporary Portraits Room 32, check it out.

Grayson Perry & Richard Ansett at Perry's London Studio, 2014 © Leon Foggitt (assistant)



Monday, 20 October 2014

Inside Cronenberg's Mouth


Meme (def.)
n.
1. A unit of cultural information, such as a cultural practice or idea, that is transmitted verbally or by repeated action from one mind to another.
2. (Psychology) an idea or element of social behaviour passed on through generations in a culture by imitation.
3. A cultural item that is transmitted by repetition in a manner analogous to the biological transmission of genes.

Photographing David Cronenberg (Telegraph Magazine, 1999)

I knew I had a very narrow window of time. Before the sitting I was invited to a preview of his new film 'ExistenZ' and I immersed myself in Cronenberg's back catalogue.
As I watched his films, a painful, hard lump approximately 2 cm in diameter appeared under the skin on the bottom of my foot; it became increasingly sensitive until it was impossible to place any weight on it; days before the shoot I was using a crutch; I was one of JG Ballad's characters from Crash, fascinated and aroused by my disability. At the sitting, I was fully possessed with the ‘Cronenberg gene’ and asked him softly to put his fingers in his mouth and show me the inside of his mouth. He did this silently for three frames, when asked he pulled harder to expose more of his inside. In ExistenZ, the assassin’s weapon was made from his own flesh and teeth.
After the shoot, the hard oval lump disappeared and has never returned.

An extract from ‘Consumed’, David Cronenberg, (4th Estate, 2014)

'Arostigui turned to her and pulled his mouth open to one side with his index finger, the effect was grotesque. “Into the very mouth of the cannibal, don’t you want that picture?” Naomi began shooting, she changed lenses quickly; an extreme wide angle lens now and continued snapping getting very close. Arostigui played it seriously and intensely, his gums and teeth completely exposed on one side and somehow, perversely naked. The photos were very disturbing.’ – 


David Cronenberg, 1999 © Richard Ansett / National Archives of Canada

Detail from David Cronenberg, 1999 © Richard Ansett / National Archives of Canada

Saturday, 18 October 2014

Smoking Causes Ageing of the Skin

Image_004, Smoking Causes Ageing of the Skin © Richard Ansett 2014

Maskirovka

The gay couple series 'Ron & Roger' has won the political prize at the Moscow international Foto Awards and will show at a public Moscow gallery this month, challenging the Russian anti-gay propaganda law. The images will be projected on screens at Fotoloft Gallery Contemporary Arts Centre. from 23rd October 2014.

"The expression of love and commitment regardless of gender is highly political. Prejudice of homosexual behavior is challenged by the un-extraordinary expression of a serious relationship illustrated as equal to the heterosexual. It is a subtle change to previously more confrontational messages in the fight for equality; it says, 'We are the same as you; our lives are as complicated and as mundane'. The series composition is inspired by the 15th century painting the ‘Arnolfini Wedding’ by Jan Van Eyke considered a record of a clandestine marriage". - RA

Russian translation:

Гей-пара серии 'Рон и Роджер' выиграл политическую приз на Московском международном Foto Awards и покажет на публичном московской галерее в этом месяце, бросая вызов российской анти-гей-пропаганды закон. Изображения будут проецироваться на экраны в Фотолофт Галерея современного искусства Центра. от 23 октября 2014. 

"Выражение любви и приверженности независимо от пола является в высшей степени политический. Предубеждение гомосексуального поведения оспаривается оон-экстраординарное выражение серьезных отношений проиллюстрировать равна гетеросексуальные. Это тонкое изменение в ранее более конфронтационных сообщений в борьбе за равенство; он говорит, «Мы же, как вы; наша жизнь, как сложны и, как мирской 'композиционный ряд вдохновлен 15-го века рисующего' Arnolfini Свадьба 'Яна ван Eyke считается запись подпольной брака. ». - РА


Saul & Jonathan, from series Ron & Roger © Richard Ansett